Archive for December, 2008

the last waltz

Saturday, December 27th, 2008

I took every woman I dated in high school to see The Last Waltz, Martin Scorcese’s great concert movie about the last performance of The Band. It was my standard first date. I believe I saw the film ten times. When something works, I say, just keep doing it.

After my parents’ split I spent summers in my father’s cabinet shop. Dad’s life had been so blasted by divorce and quitting drinking that sometimes it hurt just to look at him. One day he told me that he’d gone to see The Last Waltz, my favorite movie for the entirety of high school.

“Alone?” I asked.

“Yeah,” he said.

Why?” I asked.

“Because you told me it was good.”

I turned away and went back to work. He was telling me about fifteen hundred things, and I was hearing them all. He was saying how lonely he was. He was saying how much everything hurt. He was saying that he wanted to be my friend, but he didn’t feel like he could insist on it, after all he’d done to make my life difficult.

I should have wrapped him in my arms. I should have grabbed him right then and taken him to a movie. The fact that I didn’t is a precious gift to me now: I hope I remember every day that failure and what it could have meant to both of us.

saint paul gets “collared” was the idea for the show

Saturday, December 20th, 2008

Like the characters he writes for TV, he is often profane. Unlike his TV characters, the profanity is almost comfortable. Yes, you are watching a formerly alcoholic, heroin-addicted, gambling-addicted lunatic, but you’re also watching one of the greatest TV writers who ever lived – David Milch, storied writer of Hill Street Blues, creator of NYPD Blue, Deadwood, and the too-soon-cancelled John From Cincinnati.

Seeking out and finding Milch’s informal lectures on art and spirituality is the unguilty pleasure of many Hollywood writers, for whom he has become a sage elder statesman. Milch considers it his mission (and maybe even 12 Step work) to share about the intersection between writing and spirituality with anyone who asks, and during the recent writer’s strike, he was filmed at the WGA West giving several days of these talks, which are available through a blog (theideaofthewriter.blogspot.com).

Watching Milch is like stumbling into a corner of a party to discover a raconteur who makes the rest of the party disappear. He’s a bipolar Socrates crossed with Lenny Bruce crossed with your favorite English professor. In fact, Milch was an English professor before coming west from Yale to write for Hill Street Blues, and he has that wonderful ability to weave a story that starts about writing and veers into Saint Paul, takes a turn through horse racing and yet never once seems to be about anything less than exactly what it’s about. Talking about Saint Paul’s “whacking” Christians as a way of explaining why writers shouldn’t outline is not even his weirdest connection.

Since a big New Yorker profile, he’s been beatified as the patron saint of OCD-ridden, headcase writers, but the truth of him is even more weird and delightful: I continue to go back to the videos for courage, entertainment, and a deep understanding of not just what it means to be human, but what it means to be that special kind of human who writes sentences.